RECOMMENDED READING

Adams, James L.
Conceptual Blockbusting.
Cambridge, Massachusetts: Perseus Books, (1974), 1986
Alderson, Richard.
A Complete Handbook of Voice Training.
West Nyack: Parker Publishing Company, 1979
Anderson, James.
Dictionary of Opera & Operetta
Anthony, Derek.
The Principles of Florid Song.
Santa Barbara. Unpubl. 1987
Appelman, D. Ralph.
The Science of Vocal Pedagogy.
Bloomington: Indiana University Press, (1967), 1986
Balme, Christopher.
Einfuehrung in die Theaterwissenschaft.
Berlin: Erich Schmidt Verlag GmbH, (1999), 2003
Barton, John.
Playing Shakespeare.
New York: Anchor Books, 1984
Bernac, Pierre.
The Interpretation of French Song.
London: Victor Gollanz Ltd., (1970), 1987
Berry, Wayne.
Negotiating in the age of integrity.
London: Nicholas Brealey Publishing, (1995), 1996
Boleslavsky, Richard.
Acting – First Six Lessons.
New York, (1933), 2003
Bradley, Graham W.
Disease, Diagnosis & Decisions.
Chichester: John Wiley & Sons Ltd., (1992), 1993
Brown, William E. ed.
Vocal Wisdom. Maxims of Giovanni Battista Lamperti.
New York: Taplinger publishing Co., Inc., (1931), 1957
Caruso, Enrico et al.
Caruso and Tetrazzini on the Art of Singing.
New York: Dover Publications, Inc., (1909), 1975
Challis, Natalia. ed. The Singer’s Rachmaninoff.
New York: Pelion Press, 1989
Chomsky, Noam.
Propaganda and the public mind.
Cambridge, Massachussetts: South End Press, 2001
Clark, Mark Ross.
Singing, Acting, and Movement in Opera.
Bloomington: Indiana University Press, 2002
Cobb, Margaret G. ed.
The Poetic Debussy. A Collection of his Song Texts and Selected Letters.
Rochester, New York: University of Rochester Press, (1982), 1994
Coffin, Berton and Singer, Werner and Delattre, Pierre.
Word-by-Word Translations of Songs and Arias.
Part I - German and French.
Part II - Italian. A Companion to The Singer’s Repertoire.
New York: The Scarecrow Press, Inc., 1966
Colorni, Evelina.
Singer’s Italian. A Manual of Diction and Phonetics.
New York: Schirmer Books, 1970
Cooke, Deryck.
The Language of Music.
Oxford: Oxford University Press, (1959), 1989
Cox, Richard G.
The Singer’s Manual of German and French Diction.
New York: Schirmer Books, 1970
Crystal, David, ed.
The Cambridge Biographical Dictionary.
Cambridge: Cambridge University Press, 1996
Crystal, David, ed.
The Cambridge Encyclopedia.
Cambridge: Cambridge University Press, 1994
De Botton, Alain.
Staus Anxiety.
London: Penguin Books, (2004), 2005
Donington, Robert.
Baroque Music: Style and Performance. A Handbook.
New York: W.W. Norton & Company, 1982
Edelmann, Otto. Notes by Derek Anthony.
Vienna, Austria. Unpubl. 1981-83
Emmons, Shirlee.
Power Performance for Singers.
Oxford: Oxford University Press, 1998
Falkner, Keith, ed.
Voice. Yehudi Menuhin Music Guides.
London: Kahn & Averill, (1983), 1994
Feinberg, Mortimer, et al.
Why Smart People do Dumb Things.
New York: A Fireside Book, 1995
Franca, Ida.
Manual of Bel Canto.
New York: Coward-McCann, Inc., 1959
Frostmann, Egil. Notes by Derek Anthony.
Oslo, Norway. Unpubl. 1977-81
Fuchs, Victor.
The Art of Singing and Voice Technique.
London: John Calder (Publishers) Ltd
Grindea, Carola, ed.
Tensions in the Performance of Music. A Symposium.
London, Kahn & Averill, London: (1978), 1995
Hamilton, David, ed.
The Metropolitan Opera Encyclopedia.
A Comprehensive Guide to the World of Opera.
New York: Simon and Schuster, 1987
Hargreaves, David J. et al.
The Social Psychology of Music:
Oxford. Oxford University Press, (1997), 1999
Hines, Jerome.
Great Singers on Great Singing.
A famous opera star interviews forty famous opera singers on the technique of singing.
New York: Limelight Editions, (1982), 1988
Honolka, Kurt.
Die Oper ist tot - die Oper lebt.
Kritische Bilanz des deutschen Musiktheaters.
Stuttgart: Deutsche Verlags-Anstalt, 1986
Kagen, Sergius.
Music for the Voice.
A Descriptive List of Concert and Teaching Material.
Bloomington: Indiana University Press, (1968), 1971
Kathrein, Karin.
Schauspielfuehrer von Aischylos bis Botho Strauss. Reinbek bei
Hamburg: Rowohlt Taschenbuch Verlag GmbH, (1981), 1984
Kloiber, Rudolf.
Handbuch der Oper. Band 1-2.
Kassel: Baerenreiter-Verlag Karl Voetterle GmbH & Co. KG, (1973), 1985
Ledley, Deborah Roth.
Making Cognitive-Behavioral Therapy Work:
Clinical process for new practitioners.
New York: The Guilford Press, 2005
Lemack, Brad.
The Business of Acting.
Los Angeles: Ingenuity Press, 2002
Lablache, Luigi.
Metodo complete di canto.
Milano: Ricordi, (1842), 1997
Malim, Tony et al.
Introductory Psychology.
London: MacMillan Press Ltd, 1998
Marchesi, Mathilde.
Bel Canto: A theoretical and Practical Vocal Method.
New York: Dover Publications, Inc. 1970
Marieb, Elaine N.
Human Anatomy and Physiology.
San Francisco: Benjamin Cummings, 2001
Marshall, Madeleine.
The Singer’s Manual of English Diction.
New York: Schirmer Books, (1946), 1953
McBurney.
How to think like a psychologist.
Critical Thinking in Psychology.
Upper Saddle River, NJ: Prentice-Hall, Inc., 1996
McCormack, Mark.
What they don’t teach you at Harvard Business School.
New York: Bantam Books, (1984), 1986
McCormack, Mark.
What they still don’t teach you at Harvard Business School.
New York: Bantam Books, 1989
McKinney, James C.
The Diagnosis and Correction of Vocal Faults.
Nashville: Genevox Music Group, (1982), 1994
Michaelis, Ruth.
The German Lied.
For all Singers and Music Lovers.
Wuerzburg: Stuertz Verlag AG, 1977
Miller, Philip L.
The Ring of Words.
An Anthology of Song Texts.
New York: W. W. Norton & Company, (1963), 1973
Miller, Richard.
English, French, German and Italian Techniques of Singing:
A Study in National Tonal Preferences and How They Relate to Functional Efficiency.
Metuchen, New Jersey: The Scarecrow Press, Inc., 1977
Miller, Richard.
Securing Baritone, Bass-Baritone, and Bass Voices.
Oxford, Oxford University Press, 2008
Miller, Richard.
The Structure of Singing.
System and Art in Vocal Technique.
New York: Schirmer Books, (1986), 1996
Montgomery, Alan.
Opera Coaching.
Professional Techniques and Considerations.
New York: Routledge, 2006
Moore, Sonia.
The Stanislavski System.
The Professional singer Training of an Actor.
New York: Penguin Books, (1960), 1984
Moriarty, John. Diction.
Italian Latin French German...the sounds and 81 exercises for singing them.
Boston: E.C. Schirmer Music Company, 1975
Noske, Frits.
French Song from Berlioz to Duparc.
New York: Dover Publications, Inc., 1970
Oehlmann, Werner.
Reclams Liedfuehrer.
Stuttgart: Philipp Reclam Jun. (1973), 1977
Pace, Adele with Jones, Maria.
The Busy Executive’s Guide to Total Fitness.
Englewood Cliffs, New Jersey: Prentice Hall, 1995
Palmer, Joy A.
Fifty Major Thinkers on Education.
London: Routledge, (2001), 2005
Papolos, Janice.
Handbook for Performing Artists.
Paul, Richard W.
Critical Thinking.
How to Prepare Students for a Rapidly Changing World.
Santa Rosa, California: Foundation for Critical Thinking, (1990), 1995
Phillips, Lois.
Lieder Line by Line and Word for Word.
London: Gerald Duckworth & Co. Ltd., (1987), 1979
Prawer, S. S. ed.
The Penguin Book of Lieder.
Harmondsworth.
Middlesex: Penguin Books, Ltd., 1964
Ray, William. Notes by Derek Anthony.
Baltimore, MD. Unpubl. 1990-92
Reid, Cornelius L.
Bel Canto.
Principles and Practices.
New York: The Joseph Patelson Music House, (1950), 1978
Ross, Stephen David.
Art and Its Significance.
Albany: The State University of New York Press, 1994
Schofield, Harry.
The Philosophy of Education.
An Introduction.
London: George Allen & Unwin Ltd., 1976
Schreiber, Terry et al.
Acting.
Advanced Techniques for the Actor, Director, and Teacher.
New York: Allworth Press, 2005
Schunk, Dale H.
Learning Theories.
An Educational Perspective.
Upper Saddle River, New Jersey: Prentice Hall Inc. (1991), 2000
Shapiro, David.
Autonomy and Rigid Character.
United States of America, BasicBooks, 1981
Singher, Martial.
An Interpretive Guide to Operatic Arias.
A Handbook for Singers, Coaches, Teachers, and Students.
University Park, Pennsylvania: The Pennsylvania State University Press, (1983), 1985
Singher, Martial. Letters to Derek Anthony.
Santa Barbara, CA. Unpubl. 1988-90
Singher, Martial. Notes by Derek Anthony.
Santa Barbara, CA. Unpubl. 1986-89
Spear, Norman E. et al.
Memory – Phenomena and Principles.
Boston: Allyn and Bacon, 1994
Stanislavski, Constantin.
An Actor’s Handbook.
An alphabetcal arrangement of concise statements on aspects of acting.
New York: Theatre Arts Books/Methuen, (1924), 1987
Stark, James.
Bel Canto. A History of Vocal Pedagogy.
Toronto: University of Toronto Press, 1999
Stevens, Denis.
A History of Song.
New York: W. W. Norton & Company, (1960), 1970
Sundberg, Johan.
Roestlaera.
Fakta om roesten i tal och sang.
Stockholm: Proprius Foerlag, 1980
Tindall, Blair.
Mozart in the Jungle.
Sex, Drugs and Classical Music.
London: Atlantic Books, 2005
Tosi, Pier Francesco.
Opinioni de Cantori antichi e moderni.
[Translation]: Agricola: Anleitung zur Singkunst.
Berlin: G. L. Winter, (1757), [Facsimile]: Leipzig: Breitkopf & Haertel, (1966), 1994
Vennard, William.
Singing – The Mechanism and the Technic.
New York: Carl Fischer (1949), 1967
Ware, Clifton.
Basics of Vocal Pedagogy.
Boston: McGraw-Hill, 1997
Werner-Jensen, Arnold.
Oper Intern.
Berufsalltag vor und hinter den Kulissen.
Mainz: B. Schott’s Soehne, (1981), 1982
Zoechling, Dieter.
Opernhaeuser.
Hermes Handlexikon.
Duesseldorf: ECON Taschebuch Verlag GmbH, 1983